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Star Wars: The Mandalorian and Grogu review – helmeted hero tangles with hateful Hutts in decent feature outing

The badass bounty hunter and his little green friend take on the Empire and Jabba the Hutt’s family in this solid enough addition to the ever-expanding universe

Here is a non-canonical, or semi-canonical tale – maybe the distinction is beginning to blur – from the Star Wars universe, serving up some entertaining but very familiar Star Wars narrative tropes on a spectacular Imax scale. And if you thought it was possible to end a movie like this without a climactic aerial combat scene involving X-wing fighters, think again. It is developed from the Disney+ streaming TV series The Mandalorian and set in the timeframe just after Star Wars: Episode VI – Return of the Jedi, in which holdout warlords from the defeated Empire are plotting a return against the New Republic.

'The Mandalorian and Grogu' Review: Pretends to Be a 'Star Wars' Movie

Jon Favreau directs a big-budget movie with a tidy small-screen consciousness. But that might be what "Star Wars" now is.

Back when it was known simply as “Star Wars,” the movie that changed the world — and launched George Lucas’s ever-expanding universe of mythical sci-fi — seemed as born for the big screen as any movie of its era. “Star Wars” said to its fans: Here’s a swashbuckling Zen space opera of irresistible vastness — a world large enough to colonize your imagination. To do that, “Star Wars” needed to be epic, and was.

But by the time “The Mandalorian” came along, in 2019 (42 years after the original movie), the world of “Star Wars” had expanded to the point that in its very omnipresence, as well as its hyperactive digital-age busy-ness (a quality launched with “The Phantom Menace” in 1999), it felt larger than ever…and also smaller. More had become less. That’s why “The Mandalorian,” created by Jon Favreau as the “Star Wars” universe’s first live-action television series, was the perfect solution to what had become The “Star Wars” Problem.

‘The Mandalorian and Grogu’ Splits Critics: “Most Boring Star Wars” vs. “Best in Decades”

The official review embargo has ended and here's what critics are saying about 'The Mandalorian and Grogu.'

Critics finally have their chance to weigh in on The Mandalorian and Grogu.

The official review embargo was lifted Tuesday morning on Disney‘s first Star Wars film in seven years.

The verdict? The first batch of reviews are decidedly split on the Jon Favreau film. Several reviewers praise the Disney+ show’s big-screen debut as a fun, stand-alone adventure that benefits from Pedro Pascal’s laconic delivery as the helmeted bounty hunter, the cuteness of Grogu, and a dynamic score by composer Ludwig Göransson. The film’s snowy opening sequence — which has been shown in advance for fans at special screenings — is cited as a particular high point.

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