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Can we separate the art from the person who made it? Not in the case of a monster like Rolf Harris | Paul Daley
I met Harris before his crimes came to light. Even then I sensed his public image was a facade
I’m not convinced by the old adage that we should never meet our idols because they are bound to disappoint us. I’ve never wanted to approach human exceptionalism quite so cynically.
Yes, I’m acutely, painfully conscious that the world is replete with terrible events and bad people. But I’m counting myself fortunate that purely by dint of birth I live somewhere (and I don’t just mean my neighbourhood) where human capacity for kindness, generosity and, yes, civility, are not the exception.
'We didn't know how dangerous he was': How Rolf Harris hid in plain sight
In 1985, a child safety campaign called Kids Can Say No! was launched.
Aimed to educate children between ages five and eight on how to protect themselves against sexual abuse, the instructional film was purchased by police forces, libraries and educational institutions across the UK and Australia, as well as being broadcast (twice) on the ABC.
The face of the campaign was Australian children's entertainer Rolf Harris.
It would take another 29 years for Harris to be convicted in the United Kingdom of sexually assaulting four underage girls.
The eventual court case revealed that, during the time he was filming this public safety video, he was also sexually abusing his daughter's best friend. Simply called Victim A in proceedings, she was 13 years old when the abuse began.
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