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Review: ‘Little House on the Prairie’ Adds On an Expansion

The classic story (and recent culture-war object) remains wholesome but makes room for people who called the prairie home before the Ingalls family.

Much like the peripatetic Ingalls family, “Little House on the Prairie” has been on a journey these last few years.

The name of the book’s author, Laura Ingalls Wilder, was stripped from a children’s literature award in 2018 over her portrayals of Indigenous characters as “savages,” and her semi-autobiographical novels of frontier life were among the works reassessed for racial stereotypes after the murder of George Floyd in 2020. From the right, no sooner did Netflix announce plans to revive the story as a series than the podcaster Megyn Kelly warned the streamer not to “woke-ify” it.

‘Little House on the Prairie’ Showrunner on the Spirit of the Netflix Adaptation and Its Parallels With ‘The Boys’: “America Is a Myth-Maker”

With Laura Ingalls Wilder's tale of survival on the American frontier continuing to resonate — and spur debates — with audiences over the years, Rebecca Sonnenshine is ready to offer her take on the classic and details her series rollout plan: "We're gonna go book by book."

Some stories refuse to stay on the page. The Hollywood Reporter’s Beyond the Book column explores what happens when books make the leap to screen and beyond — unpacking what changed, how it was done and why it matters with the creatives who made it. 

The similarities between the upcoming family western Little House on the Prairie and The Boys, a dark and violent satirical take on superheroes, may not be immediately obvious. But for showrunner Rebecca Sonnenshine, who is leading the Netflix adaptation of the Laura Ingalls Wilder classic and was a writer, producer and executive producer on the Prime Video hit, the distinct ways they cross over couldn’t be more apparent. 

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Little House on the Prairie review – this reboot will have you sobbing for a simpler world by episode four

Like tradwifery for children, this revamp of the 19th-century settlers show is a precision-tooled and well-oiled machine. It’s a cosy world full of faith, hope and the American way

I never actually watched an episode of Little House on the Prairie, though it bestrode my late 70s-early 80s’ childhood like a ginghamed colossus. This is for the simple reason that Michael Landon’s bouffant hair frightened me. Bouffant hair is such a bad thing. But so great is the power of both the cultural cringe and osmosis that even the most militant Britisher of a certain age has absorbed to some degree the story of the pioneering Ingalls family and its on-screen aesthetic. For the younger folk – it’s tradwifery for children.

The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

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