Explore the latest developments concerning ‘Marty Supreme’s Josh.
‘Marty Supreme’s Josh Safdie & Ronald Bronstein On Working Sans Benny; ’48 Hrs.’ & Making Pic Where “No One Has Control Of Their Own Lives” – Crew Call Podcast
Following the success of the Safdie brothers’ Uncut Gems, the siblings were ultimately drawn into different directions ultimately as filmmakers, with Benny gravitating toward the Dwayne Johnson MMA project The Smashing Machine and Josh, along with the duo’s scribe collaborator Ronald Bronstein, to an original tale of a post-World War II global ping-pong champ in Marty Supreme.
On today’s Crew Call, Josh Safdie makes it clear there’s no bad blood between him and his bro. “People always want drama,” he tells us. He also explains what happened to the brothers’ 48 Hrs. redo at Paramount.
Marty Supreme lit up like a Christmas three this past weekend with a per-theater average near $146,000, the best YTD and post-Covid, on its way to $875K at six NYC and L.A. theaters. The pic further expands this week on Christmas.
The Safdies’ ‘48 Hrs’ Script Was Too “Original” for Paramount: “This Isn’t A Remake”
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
This project seems to have gotten lost in the ether. Back in 2017, Josh and Benny Safdie had been tasked by Paramount to reboot “48 Hrs,” with Jerrod Carmichael eyed to star. The brothers were coming off the acclaim of “Good Time,” but the project is dead—and, no surprise, the reason is that the script they submitted didn’t read like a remake.
In a recent conversation for Deadline’s Crew Call podcast, filmmaker Josh Safdie and his writing partner Ronnie Bronstein—the duo behind Good Time and Uncut Gems—opened up about what ultimately happened to their planned remake of 48 Hrs.
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Tension and Releases: Editor Ronald Bronstein on “Marty Supreme”
Click here to read our fall issue, featuring the annual 25 New Faces of Independent Film list and more…
by Vikram Murthi in Editors, Interviews, Issues, Screenwriters, Sound & Visionaries
on Dec 22, 2025
Ronald Bronstein premiered his feature Frownland at South by Southwest the same year as Josh Safdie’s short We’re Going to the Zoo played, and he felt a pang of insecurity when he saw it. “I was like, ‘Oh, my God, there’s somebody also vying for the same kind of immediacy,” said the veteran writer-editor. “It was like my feet were made of lead; this guy was like a helium balloon.” Back in New York City, Josh introduced himself to Bronstein and convinced him to play a character based on his own father. Bronstein helped write and edit the project, which […]
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