Tag: review

  • Splatoon Raiders review – Nintendo’s inky shooter fades to grey | Splatoon Raiders was origin…

    Splatoon Raiders review – Nintendo’s inky shooter fades to grey | Splatoon Raiders was origin…

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    Splatoon Raiders review – Nintendo’s inky shooter fades to grey

    Nintendo Switch 2The single-player offshoot of the quirky and colourful multiplayer series is disappointingly run-of-the-mill

    Splatoon is among Nintendo’s most ingenious inventions of the last decade: a series of shooting games whose paint-splattered turf war nature means being bad at shooting is just as valuable as – if not more so than – being good. It is also blessed with an abundance of personality, with vibrant characters, a richly imagined world, and a hipness that the competition can only dream of achieving. Unfortunately, Splatoon Raiders makes it difficult to remember all of this.

    The first spinoff in the ink-soaked franchise, Splatoon Raiders is advertised as a single player-focused entry in this primarily multiplayer series. While this is true enough – one can play through the entire game solo just fine – Raiders is clearly best enjoyed cooperatively with up to three others. Players start each session on a hideout ship where they can upgrade their equipment and tweak their play style before heading out on bite-sized repeatable missions, and this structure is tailor-made for teaming up with friends or helping out strangers (the game lets you do either), as each person works towards creating their ultimate squid-kid avatar of chaos.

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    Ask the Developer Vol. 22, Splatoon Raiders – Chapter 1

    Some of the images and videos shown in text were created during development.

    In this 22nd volume of Ask the Developer, an interview series in which developers convey in their own words Nintendo's thoughts about creating products and the unusual details they hone in on, we're talking to the developers behind Splatoon Raiders, a Nintendo Switch 2 exclusive game that launches on Thursday, 23rd July, 2026.

    Inoue:Hello, I’m Seita Inoue, the producer for Splatoon Raiders. I’ve been involved with the Splatoon series since the first Splatoon game for Wii U. For Splatoon Raiders, I oversaw the entire development process and charted a new course for the series.

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  • The Hawk review – Will Ferrell’s dated golf comedy just isn’t that funny | ‘The Hawk’ R…

    The Hawk review – Will Ferrell’s dated golf comedy just isn’t that funny | ‘The Hawk’ R…

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    The Hawk review – Will Ferrell’s dated golf comedy just isn’t that funny

    Ferrell’s brash ladies man and loser golfer could have been hilarious. But comedy has sped up over the last two decades, and all the genital gags and dodgy references fall flat

    In the 2000s, American comedy had a rude awakening. While the preceding decade had been all attractive sophisticates bantering in big cities, the new millennium arrived in a miasma of crude, cartoonish buffoonery: Austin Powers, American Pie, Dude, Where’s My Car? These were, sadly, the sacred texts of a millennial adolescence.

    In comparison, the work of the Frat Pack – a group of comic actors that included Ben Stiller, Will Ferrell, Steve Carell, Seth Rogen and Luke and Owen Wilson, plus writer-director Judd Apatow – seemed almost highbrow. By the middle of the decade, this cohort had funnelled ribald irreverence into much better films, including Zoolander, Dodgeball and Anchorman. Eventually, though, the worm turned; as chin-stroking dramedy and nerdy Marvel wisecracking took hold of the zeitgeist, this PC-needling silliness fell out of fashion.

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    ‘The Hawk’ Review: Will Ferrell and a Stellar Supporting Cast Are Wasted in Netflix’s Whiff of a Golf Comedy

    Molly Shannon, Jimmy Tatro and Luke Wilson co-star in a show that will remind you of better golf comedies and Ferrell-fronted sports stories.

    You might think it would be impossible for a television show featuring Will Ferrell, Molly Shannon, Jimmy Tatro, Fortune Feimster, Chris Parnell and David Hornsby not to generate at least a few laughs.

    Netflix‘s The Hawk, a new 10-episode comedy, proves you correct.

    The Hawk, created by Harper Steele, Chris Henchy and Ferrell, does generate a few laughs. But it probably establishes a new baseline representing the absolute minimum number of laughs it would be possible for a television show featuring Will Ferrell, Molly Shannon, Jimmy Tatro, Fortune Feimster, Chris Parnell and David Hornsby to generate.

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  • ‘The Odyssey’ Review: Passion in Every Frame | The Odyssey: is Nolan adaptation worth the hyp…

    ‘The Odyssey’ Review: Passion in Every Frame | The Odyssey: is Nolan adaptation worth the hyp…

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    The Odyssey: is Nolan adaptation worth the hype? – The Latest

    Christopher Nolan’s star-studded take on Homer’s Odyssey has received rave reviews from critics and is one of the most hotly anticipated films of the year. The three-hour Imax blockbuster has an estimated budget of $250m and a star-studded cast including Matt Damon, Zendaya and Tom Holland. But will it live up to expectations? Annie Kelly speaks to film editor Catherine Shoard

    Only 25 U.S. theaters can show 'The Odyssey' the way it's meant to be watched. Here's where they are.

    Christopher Nolan's epic adaptation of The Odyssey has arrived in theaters on a wave of critical acclaim — but not every screening will look the same.

    The Oppenheimer director's latest blockbuster, based on Homer's ancient Greek epic, stars A-listers including Matt Damon, Zendaya and Tom Holland. But unlike most big releases, the excitement isn't just about seeing the movie — it's about where you see it.

    Only a small number of IMAX theaters in the U.S. have the equipment needed to show the movie as it was intended. Those screenings have become some of the hardest tickets to get, with many selling out after going on sale a year before release.

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    The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

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  • ‘Heartstopper Forever’ Review: Facing a Grown-Up Reality | Kit Connor and Joe Locke: ‘Making …

    ‘Heartstopper Forever’ Review: Facing a Grown-Up Reality | Kit Connor and Joe Locke: ‘Making …

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    Kit Connor and Joe Locke: 'Making a film like Heartstopper will forever be important'

    Heartstopper has been described as "a lifeline for many" young LGBTQ+ viewers and something that has "changed countless lives" through its heartwarming depiction of the secondary school romance between Nick Nelson and Charlie Spring.

    Based on Alice Oseman's book series, the Netflix adaptation is now coming to an end in the form of a film, to complete three TV series that have pulled some of the streamer's highest viewing figures to date.

    Heartstopper Forever follows the young male couple as they prepare for a huge relationship test – going long distance as Nick heads off to university and Charlie stays behind to finish his school exams.

    Heartstopper Forever review – sanitized sex scenes won’t let the Netflix lovebirds grow up

    The film-length finale to the teen LGBTQ+ show has poignant moments but feels like fan service by numbers

    If it were up to Kit Connor, Heartstopper would have ended quite differently. “If I’d had my way, I would have had Nick and Charlie cheating on each other and doing all those stupid things,” he recently told the Guardian. “Because young people do that and don’t necessarily need to be villainized for it.”

    Midway through Heartstopper Forever, the film-length finale of Netflix’s series, I started to see his point. The central star-crossed lovebirds of Alice Oceman’s megahit are now 18 and 17, and like most teenagers they have sex, get drunk and fight with their annoying siblings. Unlike most people their age, they don’t vape, don’t use sex apps and they definitely don’t cheat.

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    The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

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  • Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing | Lucky TV review: A…

    Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing | Lucky TV review: A…

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    Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing

    This series about a conwoman fleeing for her life is packed with explosions and preposterous coincidences. It’s bunkum with bells on – but who can resist it in this heat?

    Luciana “Lucky” Armstrong (Anya Taylor‑Joy) is on the run, scampering across the US in her fashionably rumpled sateen blouson and prompting much fist-shaking from the hapless feds on her tail. “Lucky!” they bellow, cheeks puffing in disbelief as the incorrigible grifter bounds across the roofs of parked lorries, wriggles out of an exploding car, scams a sobbing gran and sets fire to a goon’s cowboy boots. “Lucky?! Stop!” But, no, too late, she’s off again; capering, conning and smirking her way through the Apple TV crime thriller that bears her pointedly ambiguous nickname.

    Lucky S1E1 and S1E2 Recap: “No Shortcuts” and “Make ‘Em Dance” — First Thoughts

    The following recap contains spoilers for Lucky S1E1, “No Shortcuts” (written by Jonathan Tropper and directed by Jonathan Van Tulleken) and S1E2, “Make ‘Em Dance” (written by Hilary Bettis and directed by Greg Yaitanes)

    There are some actors whose presence in a new project will pique my interest in it. Anya Taylor-Joy is one of those people. Ever since Split, she’s been on my radar, and I haven’t missed anything she’s been in since. So, when I first saw the teaser for her new series Lucky, I knew I was in. Add to that the action and some familiar faces, well, I couldn’t pass this up. Having watched the first two episodes of the limited series, what can I say? I don’t regret my decision to watch it.

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  • Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing | ‘Lucky’ Review…

    Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing | ‘Lucky’ Review…

    Explore the latest developments concerning Lucky review –.

    Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing

    This series about a conwoman fleeing for her life is packed with explosions and preposterous coincidences. It’s bunkum with bells on – but who can resist it in this heat?

    Luciana “Lucky” Armstrong (Anya Taylor‑Joy) is on the run, scampering across the US in her fashionably rumpled sateen blouson and prompting much fist-shaking from the hapless feds on her tail. “Lucky!” they bellow, cheeks puffing in disbelief as the incorrigible grifter bounds across the roofs of parked lorries, wriggles out of an exploding car, scams a sobbing gran and sets fire to a goon’s cowboy boots. “Lucky?! Stop!” But, no, too late, she’s off again; capering, conning and smirking her way through the Apple TV crime thriller that bears her pointedly ambiguous nickname.

    ‘Lucky’ Review: Anya Taylor-Joy Stars as an Identity-Swapping Con Woman in an Apple TV Thriller With Identity Issues of Its Own

    Reese Witherspoon executive produced this seven-episode series, adapted by Jonathan Tropper and featuring Timothy Olyphant, Annette Bening and Aunjanue Ellis-Taylor.

    In a good con artist story, the marks are rarely the focal characters, but they’re often just as important.

    A grotesquely rich mark is an indication that the swindlers are the heroes and the tale has eat-the-rich undertones, making flimflammery into the last refuge of the desperate everyman.

    An overly sympathetic mark is an indication that the swindlers are villains, or at the very least anti-heroes, so desperate that they throw away class solidarity to make a quick buck.

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    The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

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  • The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral meta…

    The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral meta…

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    The Odyssey review – Nolan goes god-tier with breathtaking epic of men, monsters and moral metamorphosis

    Doing full justice to the Homeric legend, Christopher Nolan amasses an epic cast to convey the true cost of war with film-making of thrilling ambition

    A classicist’s verdict: soulful hero flatters our times as women and nuance pushed overboard

    Christopher Nolan reinvents the Homeric legend as a colossal origin-myth story of postwar disillusion, an epic ordeal of anguish witnessed by the dead and presided over by capricious deities who participate on almost equal terms with the humans. It speaks to the generational pain of PTSD; plenty of soldiers come home in person after any war promptly enough, but arriving back to their prewar state emotionally or spiritually can take years or decades and may never happen at all. The invisible odyssey of anguish is punctuated by flashback episodes, hallucinations, confrontations with the arbitrary gods of dysfunction. And all the time the spouses and children cannot move on with their lives.

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    The Odyssey has been making headlines for months – so what’s the movie actually like?

    Christopher Nolan has a way with a time paradox. Not content with constructing narratives that run backwards – or whatever was meant to be happening in 2020 sci-fi thriller Tenet – his big-budget adaptation of Homer’s Odyssey gambles that he can take one of the oldest stories in Western culture and make it feel new.

    Drums pound, eager listeners lean forward in torchlight, and a bard (Travis Scott) summons up the figure of a man trying to get home, the long way round. That man is Odysseus (Matt Damon), Greece’s craftiest warrior, on his way back from the Trojan War, while his wife Penelope (Anne Hathaway) waits patiently and his son Telemachus (Tom Holland) seeks him in turn.

    For more detailed information, explore updates concerning The Odyssey review.

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  • Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing | Lucky TV review: A…

    Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing | Lucky TV review: A…

    Explore the latest developments concerning Lucky review –.

    Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing

    This series about a conwoman fleeing for her life is packed with explosions and preposterous coincidences. It’s bunkum with bells on – but who can resist it in this heat?

    Luciana “Lucky” Armstrong (Anya Taylor‑Joy) is on the run, scampering across the US in her fashionably rumpled sateen blouson and prompting much fist-shaking from the hapless feds on her tail. “Lucky!” they bellow, cheeks puffing in disbelief as the incorrigible grifter bounds across the roofs of parked lorries, wriggles out of an exploding car, scams a sobbing gran and sets fire to a goon’s cowboy boots. “Lucky?! Stop!” But, no, too late, she’s off again; capering, conning and smirking her way through the Apple TV crime thriller that bears her pointedly ambiguous nickname.

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    Anya Taylor-Joy Is a Consummate Action Hero in Heist Thriller 'Lucky'

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    After years of speculation over who might fill Daniel Craig’s brogues, the announcement of the next James Bond finally seems imminent. Reportedly under consideration are names like Callum Turner, Jacob Elordi, Aaron Taylor-Johnson—all solid, though not quite thrilling, choices. But if I could throw just one more into the mix, it would be Anya Taylor-Joy. She’s not the most obvious candidate, to be sure. She isn’t British, though she did spend much of her childhood in London (Elordi is Australian). And among the small-minded, the idea of a female Bond remains unthinkable. Still, any reasonable person who witnesses her performance in the propulsive yet emotionally grounded Apple TV crime thriller Lucky is bound to find themselves thinking of 007.

    For more detailed information, explore updates concerning Lucky review –.

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  • The Westies review – this violent New York mob drama is like Peaky Blinders meets The Sopranos …

    The Westies review – this violent New York mob drama is like Peaky Blinders meets The Sopranos …

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    The Westies review – this violent New York mob drama is like Peaky Blinders meets The Sopranos

    Expect bloody chaos in this drama about a real-life 80s Irish-American gang – featuring JK Simmons as a gang leader – and their dealings with an Italian-American crime family

    The Peaky Blinders effect lingers on. More than a decade after Tommy Shelby’s debut, TV still loves a real-life gangster crew, especially with Blinders creator Steven Knight having recently repeated the based-on-truth trick with A Thousand Blows. What other IRL historical crime crews are still available? All this time, the Westies, an Irish-American gang operating in 1980s New York in a fractious alliance with the Italian-American Gambino crime family, were right there. It’s the Irish mafia and the actual mafia in a two-for-one deal.

    Rise and fall of 'The Westies,' New York's last Irish gang, as new series charts their murders and shakedowns

    Thousands of families visit the Jacob K. Javits Convention Center every year for events like the Westminster dog show, Comic Con and International Auto Show.

    Very few of them realize the blood spilled, extortion extracted and dead bodies connected with the exhibition space, as it rose from the ashes of former rail-yards to host such jazzy gatherings.

    During construction between 1979 through 1986 and in the early years of operation, the burgeoning Center on the very West end of 34th Street was a cash cow for New York’s criminal elite.

    It also limned the rise and fall of a violent Hell’s Kitchen-based Irish gang, the Westies. Those gangsters and the Javits Center play key roles in a new scripted crime series, “The Westies,” premiering July 12 on MGM+.

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  • Review: ‘Little House on the Prairie’ Adds On an Expansion | Everything We Know About ‘Litt…

    Review: ‘Little House on the Prairie’ Adds On an Expansion | Everything We Know About ‘Litt…

    Explore the latest developments concerning Review: ‘Little House.

    Review: ‘Little House on the Prairie’ Adds On an Expansion

    The classic story (and recent culture-war object) remains wholesome but makes room for people who called the prairie home before the Ingalls family.

    Much like the peripatetic Ingalls family, “Little House on the Prairie” has been on a journey these last few years.

    The name of the book’s author, Laura Ingalls Wilder, was stripped from a children’s literature award in 2018 over her portrayals of Indigenous characters as “savages,” and her semi-autobiographical novels of frontier life were among the works reassessed for racial stereotypes after the murder of George Floyd in 2020. From the right, no sooner did Netflix announce plans to revive the story as a series than the podcaster Megyn Kelly warned the streamer not to “woke-ify” it.

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    ‘Little House on the Prairie’ Showrunner on the Spirit of the Netflix Adaptation and Its Parallels With ‘The Boys’: “America Is a Myth-Maker”

    With Laura Ingalls Wilder's tale of survival on the American frontier continuing to resonate — and spur debates — with audiences over the years, Rebecca Sonnenshine is ready to offer her take on the classic and details her series rollout plan: "We're gonna go book by book."

    Some stories refuse to stay on the page. The Hollywood Reporter’s Beyond the Book column explores what happens when books make the leap to screen and beyond — unpacking what changed, how it was done and why it matters with the creatives who made it. 

    The similarities between the upcoming family western Little House on the Prairie and The Boys, a dark and violent satirical take on superheroes, may not be immediately obvious. But for showrunner Rebecca Sonnenshine, who is leading the Netflix adaptation of the Laura Ingalls Wilder classic and was a writer, producer and executive producer on the Prime Video hit, the distinct ways they cross over couldn’t be more apparent. 

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