Tag: review

  • ‘Maternal Instinct’ Review: When Deception Leads to Death on Netflix | Case of Texas woman on…

    ‘Maternal Instinct’ Review: When Deception Leads to Death on Netflix | Case of Texas woman on…

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    Case of Texas woman on death row over grisly murder back in spotlight

    New film revives story of Taylor Parker, convicted in 2022 of cutting unborn daughter from womb of friend she killed

    In an America so often saturated with brutal crime stories, it takes special circumstances to truly register shock.

    But the story of Taylor Parker, now sitting on a Texas death row after being convicted of murdering her pregnant friend Reagan Simmons-Hancock in 2020 and cutting her unborn daughter Braxlynn from her womb, is horrific in part because it appears almost against nature itself.

    Such a terrifying act is also rare. Fetal abductions by maternal evisceration number just 15 in the US from 1987 to 2011, and perhaps 100 worldwide. Until 1973, none had ever been recorded in the US.

    Where is Taylor Parker Now? Inside Her Life On Texas Death Row

    Prosecutors argued that Maternal Instinct’s Taylor Parker continued her lies and fraudulent schemes after landing behind bars causing continuous “chaos and confusion.”

    Taylor Parker once dreamed of a future with boyfriend Wade Griffin—now she’s sentenced to die.

    Parker became so transfixed with the idea of her own happily ever after with Griffin that she faked a pregnancy, then attacked pregnant mom Reagan Simmons Hancock, killing the 21-year-old and trying to claim the baby as her own, according to facts laid out in a Texas’ Court of Criminal Appeals opinion.

    Christina Grimmie's Family Speaks Out 10 Years After The Voice Alum's Murder by Obsessed FanOklahoma City Bombing Survivors Share Harrowing Accounts of Timothy McVeigh’s Terror AttackJames Handy’s Girlfriend Reveals His Final Moments Before Her Son Michael Gledhill Allegedly Killed Him

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  • Ground Up review – Sam Pang stars in ABC’s easily digestible AFL office comedy | An ABC comed…

    Ground Up review – Sam Pang stars in ABC’s easily digestible AFL office comedy | An ABC comed…

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    Ground Up review – Sam Pang stars in ABC’s easily digestible AFL office comedy

    People love a good bureaucracy satire – but while this six-part series is tonally pleasant, it’s not belly-laugh material

    Fans of bureaucracy-themed workplace comedies such as Utopia and The Hollowmen will feel right at home watcing Ground Up, an easily digestible and well-paced series that feasts on the genre’s familiar staples: pointless meetings, labyrinthine approval processes, mountains of red tape and endless rounds of buck-passing. Like the Sydney Olympics-themed The Games – my favourite Australian show in this genre – Gary McCaffrie’s series is about the management of a major upcoming sports project: the launch of an AFL team in Tasmania.

    An ABC comedy about Tasmania’s new AFL team should have worked. Instead, it’s an own goal

    Screenwriters usually have to wait for real-world events to play out before they can apply their blowtorches, so kudos to Gary McCaffrie, the creator and writer of Ground Up, for being first to the punch. This scripted six-part ABC comedy is based on the impending arrival of the AFL’s 19th team, the Tasmania Devils, and the construction of a new stadium in Hobart. Given not a single player has been signed up nor a piece of sod turned, he’s at least a few years ahead of the events he’s satirising. Call it the parody-first approach to history.

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  • ‘Groundswell’ Review: Prime Video’s Documentary on Dirt | Demi Moore & Woody Harrelson are …

    ‘Groundswell’ Review: Prime Video’s Documentary on Dirt | Demi Moore & Woody Harrelson are …

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    'Groundswell' explores regenerative agriculture and how healthier soil can help retain water and the Great Salt Lake

    SALT LAKE CITY — Utahns are no strangers to conversations about drought, water conservation, and the future of the Great Salt Lake. But what if part of the solution isn’t found in a reservoir, pipeline, or policy change, but in the soil beneath our feet? 

    That’s the central idea behind “Groundswell,” the latest documentary from filmmakers Josh and Rebecca Tickell. The film explores regenerative agriculture and the growing belief that healthier soil can help retain water, improve drought resilience, and restore ecosystems. During a recent interview, I spoke with the filmmakers about why they believe soil health could play a key role in addressing water challenges across the West, including here in Utah.

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  • Cape Fear review – Amy Adams and Javier Bardem’s immaculate update is a wild, wild ride | ‘…

    Cape Fear review – Amy Adams and Javier Bardem’s immaculate update is a wild, wild ride | ‘…

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    Cape Fear review – Amy Adams and Javier Bardem’s immaculate update is a wild, wild ride

    Bardem has the absolute time of his life terrifying everyone in this remake of the classic thriller. It’s a masterclass in tension, sublime directing – and never forgets the power of a jump scare

    “Ever look around and wonder if we deserve all this?” a woman asks, standing by their sprawling mansion’s swimming pool with her handsome, ripped, fellow lawyer husband.

    Ah me. Ah my. Welcome to the latest screen incarnation of John D MacDonald’s taut psychological thriller, published in 1957 as The Executioners and now adapted for the third time under the title Cape Fear. Robert Mitchum and Gregory Peck starred in the first, in 1962 – the former as the villain Max Cady, nursing an incandescent rage and obsessive desire for vengeance against the latter, as lawyer Sam Bowden, for for his role as key witness in a rape prosecution. Martin Scorsese directed a remake that had Nick Nolte as Bowden and a truly terrifying Robert De Niro as Cady in 1991. It introduced a few more moral grey areas but the battle remained between good and very, very evil as Cady sought to destroy Bowden’s life and family in every conceivable way.

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    Why Cape Fear is scarier than anything else I’ve seen on TV

    This series is so unsettling it makes its movie predecessors feel like Roadrunner cartoons.

    Hollywood’s cannibalisation of its back catalogue has spawned the good, the bad and the ugly. Residing in the first category is Cape Fear, Apple TV’s series from show-runner Nick Antosca, produced by master storytellers Martin Scorsese and Steven Spielberg. The reworking of Scorsese’s 1991 film (itself a revamp of J Lee Thompson’s 1962 classic), takes narrative licence, undergoes significant renovation and adds characters.

    It’s a highly satisfying deep-dive into characterisation and theme, heightening complexity well beyond Thompson’s stripped-back tale of good and evil and Scorsese’s brutal take on universal guilt. This version, with its oppressive paranoia, is so unsettling it makes its predecessors feel like Roadrunner cartoons.

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  • Mina the Hollower Review – Refined Throwback | The Highest Metacritic Review-Scored Game Of 2026 …

    Mina the Hollower Review – Refined Throwback | The Highest Metacritic Review-Scored Game Of 2026 …

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    Mina the Hollower Review – Refined Throwback

    Despite Shovel Knight’s myriad spin-offs and continued ubiquity in the indie game space, it’s been more than a decade since developer Yacht Club Games delivered something wholly new. And maybe calling Mina the Hollower entirely “new” is a misnomer, as it is a reverential showcase of beloved game design and visual ideas from the past and present, all arranged into something that manages to be unique and nostalgic at the same time. Mina is not without its frustrations, but its density of discoveries, sense of place, and heartfelt story and characters all deliver an experience I was thinking about often whenever I wasn’t playing.

    The Highest Metacritic Review-Scored Game Of 2026 Is ‘Mina The Hollower’

    While 007 First Light releases today, and has racked up a very solid 88 metascore, tying it for third place for the year, now, it’s fourth place. A new game is #1 and by a somewhat significant margin in the context of these things.

    That would be Mina the Hollower, out May 29 ,which has just gotten a 93 metascore, two full points above Forza Horizon 6’s 91. It is obviously not a AAA production, and likely a game that many gamers have not heard of at all. Here’s the synopsis:

    Ah, well, you might understand now. The developers who brought you Shovel Knight, the hugely beloved series that began in 2014 and had releases as recently as 2022. But Mina the Hollower is the first new game developed by Yacht Club outside of the Shovel Knight family…ever. Reportedly, the studio has been facing financial issues, and Mina the Hollower is said to be “make-or-break for sure” by founder Sean Velasco. Well, hopefully these kinds of scores lead to “make.” Mina’s 93 score is above the 85 of the original Shovel Knight and above every other expansion made for the game as well. Mina may echo last year’s Silksong, which had a 90 score and led it to be a GOTY nominee.

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    REVIEW: ‘Mina The Hollower’ Is Dark, Deep, And Another Yacht Club Success

    For the past eight years, Yacht Club Games has been the developer of all things Shovel Knight. Now, in 2026, they are releasing their newest in a completely different genre than anything they’ve done before with Mina the Hollower. The champions of indie 2D platforming have branched out to 2D action-adventure with lots of twists and inspirations from niche historic games.

    Gone is the cheerful silliness, replaced by a darker, more Halloween-y aesthetic rich with deep anecdotes from our current day and age. Most importantly, Mina proves that Yacht Club Games has done it yet again, with another immensely fun universe ripe for exploration. 

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  • Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama | The mov…

    Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama | The mov…

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    Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama

    A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movie

    In a world of increasingly segmented audiences, the new movie Pressure cleverly brings together two adjacent demographics: weather dads and history dads. Those designations are honorifics, not gender-essentialist; spiritually dad-curious people of all ages (but, let’s be real: mostly over 50) may be interested in a behind-the-scenes story set in the last few days leading up to the allied invasion of Normandy in June 1944. Because this is the largest-scale seaborne invasion ever mounted, weather is a major factor, and the movie follows military higher-ups as they work around the clock trying to figure out whether a possible incoming storm will create unfavorable or impossible conditions.

    'Pressure' review: Andrew Scott is low-key hilarious in this World War II drama

    I wasn't prepared for Pressure. Walking into the World War II drama, which stars Andrew Scott and Brendan Fraser, I knew it was about the lead up to D-Day. As such, I braced myself for a serious, stiff-upper-lip drama about soldiers and the cruelty of war. And it's not that Pressure isn't about those things. Rather, adapted from David Haig's 2014 stage play of the same name, Pressure comes from an unexpected angle in exploring war strategy.

    Andrew Scott stars as Group Captain James Stagg, a Scottish meteorologist for the United Kingdom's Royal Air Force, who was assigned to aid American ally General Dwight D. Eisenhower (Brendan Fraser) by figuring out the forecast for the beaches of Normandy for D-Day.

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  • The Boroughs review – this witty, star-packed monster show could have been made by Spielberg | …

    The Boroughs review – this witty, star-packed monster show could have been made by Spielberg | …

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    The Boroughs review – this witty, star-packed monster show could have been made by Spielberg

    A retirement village Scooby gang of heroes take on a horrific creature in a series that is funny, tender, wise – and executive produced by the Duffer Brothers

    I’m sure this isn’t the intended takeaway from The Boroughs, a supernatural murder-mystery set in a New Mexico retirement community, but I am transfixed by what is on offer to the ageing demographic across the pond. It’s like watching an episode of The White Lotus and vowing in your next life to come back as an affluent white American, but more realistic. God willing, we’ll all get old – and with a bit of careful planning, maybe we could stretch to a berth in one of the villages that a country with the space to house them provides for a reasonable sum?

    What to stream this week: Bill Pullman’s retiree thriller, plus five more picks

    This week’s picks in include a supernatural series from the creators of Stranger Things, a For All Mankind spin-off, a delightful documentary about comedian Martin Short and a fitting end to a true-crime documentary.

    The boomers are more than OK in The Boroughs, an enjoyably upbeat supernatural adventure where the ageing residents of an American retirement village have to band together to fight off their various adversaries. Whether it’s a society that wants to park them out of the way or spindly creatures that make nocturnal brain fluid raids, these retirees are up against it. Let’s be clear: nobody puts nanna in the corner.

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    Breaking Down the Hopeful Ending of Netflix's New Sci-Fi Mystery Series The Boroughs

    (L-R): Clarke Peters as Art, Alfre Woodard as Judy, Alfred Molina as Sam, Denis O'Hare as Wally, and Geena Davis as Renee in The Boroughs.

    In the picturesque desert retirement community known as the Boroughs, things certainly aren't what they seem. For one thing, there are monsters in the walls. For another, the unnervingly upbeat owners keep up a Stepford-esque facade. So when recently widowed new resident Sam (Alfred Molina) discovers his friend Jack (Bill Pullman) has been killed by a mysterious, alien-like creature feeding on his brain fluid at night, it's up to Sam and a ragtag group of fellow seniors to figure out what's actually afoot in the New Mexico town they call home.

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  • The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama | Rami …

    The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama | Rami …

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    The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

    Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love

    This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here.

    Rami Malek, Demi Moore among stars at Cannes screening

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    Rami Malek, Demi Moore and Halsey were among the stars who attended a screening for new film The Man I Love in Cannes.

    Hollywood actor Malek, in a black dinner jacket, posed for photos on the red carpet for his latest project, directed by independent filmmaker Ira Sachs, at the 79th Cannes Film Festival.

    The musical drama is set in late 1980s New York City with Malek starring as actor Jimmy George, who is facing a life-threatening illness and takes on what may be his final big role.

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    'The Man I Love' Review: Rami Malek in Ira Sachs' AIDS Drama

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    Ira Sachs directs Rami Malek in the melancholy, sexy, and piercingly sad “The Man I Love,” which is elusive to think about and to hold in your hand but nonetheless makes a scarring impression because of how it shirks the cliches related to the AIDS movie genre.

    Malek plays a New York performance artist named Jimmy George in the 1980s, who has an affair with the cute ginger twink who’s just moved in downstairs as a sort of last grab at joie de vivre before the disease inevitably takes him down. There are no Kaposi’s sarcoma lesions on display, or tearful bedside vigils, and there’s only one scene in a hospital that’s instead focused entirely on Jimmy’s partner Dennis (Tom Sturridge) and how he reacts to his boyfriend’s worsening and critical condition.

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  • Review: Split Enz brings the groove at sold out Sydney show | Split Enz deliver energy and vividn…

    Review: Split Enz brings the groove at sold out Sydney show | Split Enz deliver energy and vividn…

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    Split Enz deliver energy and vividness – and the songs weren’t bad either

    Here came the six-piece band of four originals – the brothers Finn, Noel Crombie and Eddie Rayner – and two excellent junior blow-ins in bassist James Milne and drummer Matt Eccles, all suitably dressed in Crombie-designed loud checks, vivid patterns and wide stripes.

    The senior men may be well aged, but they were not going quietly, peeling off Shark Attack, which still feels like a teenage frenzy done by arthouse punks, History Never Repeats, a synth pop song that forgot to get rid of guitars, and Poor Boy, ostensibly a straight pop song but one that can’t hide its oddness. Biff. Bang. Pow! What a cracking opening of energy and vividness, and the songs weren’t bad at all, were they?

    Split Enz deliver energy and vividness – and the songs weren’t bad either

    Here came the six-piece band of four originals – the brothers Finn, Noel Crombie and Eddie Rayner – and two excellent junior blow-ins in bassist James Milne and drummer Matt Eccles, all suitably dressed in Crombie-designed loud checks, vivid patterns and wide stripes.

    The senior men may be well aged, but they were not going quietly, peeling off Shark Attack, which still feels like a teenage frenzy done by arthouse punks, History Never Repeats, a synth pop song that forgot to get rid of guitars, and Poor Boy, ostensibly a straight pop song but one that can’t hide its oddness. Biff. Bang. Pow! What a cracking opening of energy and vividness, and the songs weren’t bad at all, were they?

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  • Nemesis review – a ridiculously entertaining cop show packed with stars of The Wire | TV crime …

    Nemesis review – a ridiculously entertaining cop show packed with stars of The Wire | TV crime …

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    Nemesis review – a ridiculously entertaining cop show packed with stars of The Wire | TV crime drama

    This Netflix drama about a maverick cop crime-busting high-stakes heists might seem cliched at first – but it gets better and better by the minute. Hi Herc!

    Detective Isaiah Stiles (Matthew Law) is extremely committed to his job, but it brings him no satisfaction. The long hours he dedicates to crime-busting with the LAPD have alienated his teenage son and infuriated his wife, Candace (Gabrielle Dennis), to the point where Isaiah is sleeping in the summer house. He is permanently vexed. But he isn’t meant to be happy: he’s a maverick cop.

    The maverick-copness of its lead character is the first of many crime-show cliches shamelessly replicated by Nemesis, the first Netflix show from writer Courtney A Kemp, creator of the gangster drama Power and its various spin-offs. Isaiah carries the trauma of an old case where a junior colleague was killed in pursuit of a gang of elite thieves: now, whenever a robbery goes down in Los Angeles – and a big one has just happened, with bags of cash brazenly swiped from a posh party’s high-stakes poker game – Isaiah suspects that his white whale, the man who pulled the trigger years ago, is behind it. To the consternation of colleagues, he has a whiteboard in his office covered in photographs and sticky notes.

    ‘Nemesis’ Creator Courtney A. Kemp on Making Her Explosive Netflix Debut and Crafting a Finale That Ushers in a Season 2

    The showrunner breaks down the twists and turns of her heist thriller, including why the 'Power' creator refused to end on a neat resolution: "Nobody has figured out my formula."

    [This story contains major spoilers from the entire first season of Nemesis.]

    Courtney Kemp has earned her place as one of the most powerful TV creatives. She launched her first series in 2014 with crime drama Power with no established stars on Starz, which boasted a other originals. Power turned into an addictive hit, and the record-breaking success eventually built to the point that Power signed off in 2020 as premium cable’s top-rated scripted series. But the Power Universe was just beginning. Three spinoffs have already hit the airwaves, and highly anticipated prequels and sequels are on the way. Four years after she left running the day-to-day of Power Book II: Ghost, Kemp is now back with her first Netflix series — and her un-replicated winning recipe.

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    With Netflix’s ‘Nemesis’, ‘Power’ Creator Courtney A. Kemp Delivers a Tantalizing Crime Drama: TV Review

    In Netflix’s latest crime series “Nemesis,” “Power” Universe creator Courtney A. Kemp and co-creator Tani Morale explore the different prisms of morality through the eyes of two vastly different men, trying to carve out a legacy for themselves. One man works within a system that was never supposed to embrace him, and another in an environment that threatens to consume what’s left of his brilliance and humanity. A twisted high-stakes cat and mouse game, “Nemesis” is a thrilling rollercoaster.​The eight-episode first season opens at a lavish Beverly Hills estate on Halloween. Beloved businessman Coltrane Wilder (an incredible Y’lan Noel) and his wife, Ebony (Cleopatra Coleman), are dressed for the occasion as iconic “New Jack City” characters. (Its director Mario Van Peebles helms Episodes 1 and 2.) However, viewers soon realize the couple isn’t attending the swanky soiree to listen to music and network. After throwing a security guard off their trail and putting Ebony in place as lookout, Coltrane guides his crew, Stro (Tre Hale), Choi (Jonnie Park) and Deon (Quincy Isaiah) into the mansion, where they proceed to rob the homeowner and his high-stakes poker game.​Several miles south in Inglewood, Lt. Isiah Stiles (Matthew Law), a detective in LAPD’s homicide and robbery division, delivers cash to his father, Amos “Nightmare” Stiles (Moe Irvin). Disgusted by Isiah’s profession, the father-son relationship is full of tension and distrust. Despite his accomplished wife, Candice (Gabrielle Dennis), and 15-year-old son, Noah (Cedric Joe), policing is the center of Isiah’s life. Isaiah is also convinced Coltrane is the true culprit behind the death of his trainee Manny Shaw (Tristain “Mack” Wildes) Though his apprehensive partner, Yvette Cruz (Ariana Guerra) and police Captain James Sealey (Michael Potts) have tried to reason with him, Isaiah is so fixated on demolishing Coltrane’s pristine image that he’s become radioactive on the force and a stranger in his own home.​After learning about the Halloween robbery, Isiah becomes obsessed with bringing Coltrane down, even if it means incinerating everything and everyone he loves. For his part, Coltrane is resolute about keeping the felonious parts of his business far away from the life he and Ebony have worked so meticulously to build. What ensues then is a bloody, tantalizing battle of wits and nerve as the two men embark on a collision course to destroy each other.​Like “Power” and all of its spinoffs, “Nemesis” is full of stunning turns, shocking even the most observant audiences. Isiah and Coltrane are intoxicating foes, because they do what’s least expected. “Nemesis” opens up both Coltrane and Isiah’s worlds brilliantly, showcasing memorable side characters (“Power” Universe fans will recognize several familiar faces), such as the stoic Stro and his impulsive baby uncle Deon, as well as Ebony’s depraved and impeccably dressed older sister, Charlie (Sophina Brown). This massive web of characters offers varied textures and points of view within the show.​Like Charlie, all of the women in the series are empowered. Seeing their husbands on the verge of self-destruction, Ebony and Candice make difficult, unexpected choices to redirect their lives: These ladies can see the bigger picture when the men around them remain hyperfocused on one goal. When the plot starts to get a bit too convoluted and the action begins to feel overdone, the women in this world give “Nemesis” the grounding it needs.​While the majority of “Nemesis” is well-paced and relentless, the series does stall a bit around Episode 6, “The Die is Cast,” in which the first six minutes features a spray of gunfire and explosions. It feels overdone and far too soapy, taking away some of the narrative beats’ authenticity. Moreover, instead of leaning into the plot, the episode becomes an hour-long chase that doesn’t move the story forward until the very end. Had the sequences been shortened and tightened, the episode would have retained the rhythm of the rest of the show, while still driving the series and the audience to the very same shocking conclusion.​“Nemesis” asks its viewers a long-standing question: “What will the total annihilation of another cost you?” It’s certainly an inquiry other crime dramas like Peacock’s “M.I.A.” and BBC’s “Killing Eve” have tried to answer. Yet, with all of its intense cliffhangers and sexy sequences, it’s still incredibly fun to watch Isiah and Coltrane find out what the answer is.

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