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Lucky review – Anya Taylor-Joy’s daft thriller is classic summer viewing
This series about a conwoman fleeing for her life is packed with explosions and preposterous coincidences. Itâs bunkum with bells on â but who can resist it in this heat?
Luciana âLuckyâ Armstrong (Anya TaylorâJoy) is on the run, scampering across the US in her fashionably rumpled sateen blouson and prompting much fist-shaking from the hapless feds on her tail. âLucky!â they bellow, cheeks puffing in disbelief as the incorrigible grifter bounds across the roofs of parked lorries, wriggles out of an exploding car, scams a sobbing gran and sets fire to a goonâs cowboy boots. âLucky?! Stop!â But, no, too late, sheâs off again; capering, conning and smirking her way through the Apple TV crime thriller that bears her pointedly ambiguous nickname.
‘Lucky’ Review: Anya Taylor-Joy Stars as an Identity-Swapping Con Woman in an Apple TV Thriller With Identity Issues of Its Own
Reese Witherspoon executive produced this seven-episode series, adapted by Jonathan Tropper and featuring Timothy Olyphant, Annette Bening and Aunjanue Ellis-Taylor.
In a good con artist story, the marks are rarely the focal characters, but they’re often just as important.
A grotesquely rich mark is an indication that the swindlers are the heroes and the tale has eat-the-rich undertones, making flimflammery into the last refuge of the desperate everyman.
An overly sympathetic mark is an indication that the swindlers are villains, or at the very least anti-heroes, so desperate that they throw away class solidarity to make a quick buck.
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