Tag: film

  • 1999 Film, Starring Bruce Willis, Ranked Among Greatest Thrillers of All Time | 27 Years Later, T…

    1999 Film, Starring Bruce Willis, Ranked Among Greatest Thrillers of All Time | 27 Years Later, T…

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    27 Years Later, This Epic Quote in 1999’s Best Thriller Has a Double Meaning Some Still Haven’t Noticed

    A good twist can recontextualize a whole movie, especially on a second viewing. If you know in advance a film’s big secret, you’ll pick up on things you didn’t notice before; little sprinkles of foreshadowing that make the twist all the more satisfying. This can even apply to individual lines, the best of which take on a double meaning — making them hit even harder the next time. 27 years ago, M. Night Shyamalan’s The Sixth Sense hit theaters in 1999, and made millions at the box office thanks to a compelling film with an even more unbelievable twist.

    The Best Twist In Horror Movie History Happened 27 Years Ago Today

    Grand twists in movies can be risky if they aren't handled with care. Some infamous titles include shock reveals or wild endings so at odds with the rest of the production that they are remembered for all the wrong reasons. On the other hand, those twists can pay off in a remarkable way, enhancing an already brilliant story with a moment that feels earned and appropriate, as is the case with The Sixth Sense.

    Few movies in any genre fit that description quite like The Sixth Sense. The title is an ambitious psychological thriller written and directed by M. Night Shyamalan. Bruce Willis stars as Malcolm Crowe, a child psychologist. One of his patients, Cole (Haley Joel Osment), makes the now-famous claim, "I see dead people." That line is followed by another chilling omission where Cole explains he sees them all the time.

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    The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

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  • Melbourne international film festival 2026: eight must-see films, one TV show and an ‘astonishi…

    Melbourne international film festival 2026: eight must-see films, one TV show and an ‘astonishi…

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    Melbourne international film festival 2026: eight must-see films, one TV show and an ‘astonishing’ VR experience

    Our picks include a hard-hitting drama starring Channing Tatum, a new Australian dramedy featuring Hugo Weaving and The Pitt’s Shabana Azeez, plus a film from a chook’s eye-view

    It’s a sign of the times, perhaps, that my number one recommendation for this year’s Melbourne international film festival (Miff) isn’t actually a film – but rather, an astonishing, hour-long virtual reality production that fuses cutting-edge technology with a story steeped in ancient traditions and legends. The narrative follows Guan, a Taiwanese lawyer whose wife dies, leaving behind an unfinished novel, which he becomes obsessed with – entering its world and embarking on a profoundly emotional journey into the mountains. I wrote about this free-roaming production (meaning you’re not just watching, but also walking around) after experiencing it at last year’s Venice Immersive, where it was a hot ticket item. Once experienced, never forgotten.

    The Full MIFF 2026 Program Just Dropped. Here Are 30 Top Films to Book Now

    For local movie fans, going through the Melbourne International Film Festival (MIFF) program each year is as exciting as it is daunting. With hundreds of films screening over 18 days, narrowing down which ones to get tickets for isn’t easy. From Charli XCX’s next leading role to Sofia Coppola’s debut documentary, these are our picks of the new feature films to catch at MIFF, which runs from August 6–23. 

    This year’s festival opens with Wicker, co-directed by Australian filmmaker Eleanor Wilson. The 1600s-set film stars Olivia Colman as a fisherwoman who gets a basket maker to fashion her a husband (Alexander Skarsgård) out of wicker. It’s an offbeat, bawdy comedy that further proves Colman is one of the finest and most versatile actors working today.

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    Tina Arena Documentary to Premiere at 2026 Melbourne International Film Festival

    'Tina Arena: Unravel Me' will make its world premiere at this year's Melbourne International Film Festival.

    Tina Arena: Unravel Me will make its world premiere at this year's Melbourne International Film Festival (MIFF).

    Organisers have unveiled a killer program featuring more than 300 films, documentaries, shorts and immersive works from around the world. 

    Running from August 6th-23rd, the festival will open with the Australian premiere of Wicker, the acclaimed Sundance debut from Australian-born filmmakers Eleanor Wilson and Alex Huston Fischer. The fantasy drama stars Olivia Colman, Alexander Skarsgård, Peter Dinklage, Richard E. Grant, and Australian actor Elizabeth Debicki, while also competing in the festival's Bright Horizons Competition.

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  • Armie Hammer Film ‘Citizen Vigilante’ Banned in Germany, Uwe Boll Says | Germany bans action movi…

    Armie Hammer Film ‘Citizen Vigilante’ Banned in Germany, Uwe Boll Says | Germany bans action movi…

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    Armie Hammer Film 'Citizen Vigilante' Banned in Germany, Uwe Boll Says

    Action thriller “Citizen Vigilante,” starring Armie Hammer, has been banned in Germany for its extreme violence and alleged anti-migrant message, according to director Uwe Boll. The film, billed as a modern-day riff on “Death Wish,” is being released in the U.S. on Friday by Quiver.

    “The rating system refused to give us a rating [in Germany], so now you can only watch it if you bring in a Blu-ray from Austria or Switzerland,” Boll told the Daily Telegraph. “And I think they did that on purpose. It was a deliberate censorship decision. I hired a lawyer to complain about it, but we lost in a six-two vote as I was told that the film was inciting violence against migrants.”

    Germany bans action movie ‘Citizen Vigilante’ for depicting migrants as criminals

    The story also criticises elements of the justice system for leniency toward offenders.

    The German film ratings board FSK has refused to grant any age classification to the action thriller Citizen Vigilante, directed by Uwe Boll and starring Armie Hammer. Without a rating, the film cannot legally be shown in cinemas, sold on physical media, or streamed on major platforms in Germany.

    The movie follows a wealthy protagonist who turns vigilante after his mother is murdered by criminals, many portrayed as migrants.

    It draws inspiration from real German cases, including a 2016 Hamburg gang rape in which perpetrators received lenient sentences and some media coverage expressed sympathy for them.

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    Citizen Vigilante — Uwe Boll [Review]

    Before diving into any of the specific details of Citizen Vigilante, let’s get straight into what the film actually is: racist, xenophobic, ethnocentrist, alt-right agitprop manufactured to piss off the “woke Left,” which is exact language used at one point in the narrative. Bravo, Uwe Boll. Anders Breivik would be proud. 

    Armie Hammer, fresh off Controversy Row (is he even allowed to leave?), portrays a stoic vigilante in a nondescript Eastern European setting. He hunts down people of color and migrant evildoers in the name of a “justice” that victims of rape and assault were denied by the legal system. If you’re skeptical that this reflects the film’s actual narrative framework, don’t worry: Citizen Vigilante — replete with nauseating camerawork, erratic editing, and atrocious dialogue — hammers into our skulls almost immediately that “migrant attacks are on the rise,” so says a news anchor. You also aren’t supposed to doubt that the mysterious European vigilante taking on “these criminals” is a godsend, that “we need someone like him over here in America,” at least according to a man on a TikTok-adjacent reel. And this sentiment does not waver, so strap in.

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  • Film Quote of the Day: Robert Redford’s Iconic Line That Questioned What Honesty Really Means | “…

    Film Quote of the Day: Robert Redford’s Iconic Line That Questioned What Honesty Really Means | “…

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    Film Quote of the Day: Robert Redford's Iconic Line That Questioned What Honesty Really Means

    Three Days of the Condor opened in September 1975, just as American audiences were still processing Watergate. There was plenty to be paranoid about. The film is also a standout entry in the middle-of-the-'70s film Renaissance that gave us some of the best movies of all time.

    Sydney Pollack directed the thriller. Robert Redford starred as Joe Turner, a CIA analyst whose entire job is reading books, magazines, and documents in multiple languages, scanning for anything that might matter to the agency. Turner slips out the back door to grab lunch and comes back to find everyone in the office dead. From there, it's a chase through New York and an extended meditation on whether the people hunting you are any worse than the ones claiming to protect you.

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    "They Tried Everything to Keep Me Out": Robert Redford Nearly Missed the Role That Made Him a Star

    Robert Redford passed away on September 16, 2025, at 89. We've spent time since then revisiting his best films and his Sundance legacy. He's an absolute legend, not to mention one of the industry's foremost champions of independent cinema. We owe him so much.

    But in a 2013 conversation with Terry Gross for Fresh Air, he told a story that keeps coming back to us. He almost didn't play the Sundance Kid.

    By the late 1960s, Redford had put in the work as an actor. He had years of episodic television under his belt (Perry Mason, The Twilight Zone, Playhouse 90 and had even done a celebrated Broadway turn in Neil Simon's Barefoot in the Park, which he'd also brought to the screen opposite Jane Fonda in 1967.

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  • Jackie Chan to Film ‘Armour of God IV: Ultimatum’ in Kazakhstan (EXCLUSIVE) | Jackie Chan’s…

    Jackie Chan to Film ‘Armour of God IV: Ultimatum’ in Kazakhstan (EXCLUSIVE) | Jackie Chan’s…

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    Jackie Chan to Film ‘Armour of God IV: Ultimatum’ in Kazakhstan (EXCLUSIVE)

    Jackie Chan will shoot “Armour of God IV: Ultimatum” in Kazakhstan, the star’s first production in the Central Asian region, Variety has confirmed.

    Directed by Robert Kun and produced by Salem Entertainment, the film is scheduled to commence principal photography in July and is targeting a worldwide release in the second quarter of 2027.

    Producers Esmond Ren and Igor Tsay are attached to the project, which is backed by Alem Fund, an Astana International Financial Centre (AIFC)-registered fund created to back and raise the international profile of Kazakhstan-linked film and media projects. “Armour of God IV: Ultimatum” is the first title to go into production from the fund’s current portfolio of six projects.

    Jackie Chan’s Armour of God IV: Ultimatum Gets Huge Release Date Update

    Jackie Chan’s long-awaited return to the Armour of God franchise has received a major new update. New details about Armour of God IV: Ultimatum have revealed when the sequel is expected to arrive in theaters. It also provides new information about the production timeline and filming locations for the upcoming action film.

    Major new details have emerged about Armour of God IV: Ultimatum, including its production timeline and expected release window. According to Variety, the latest chapter in Jackie Chan’s long-running action franchise is scheduled to begin filming in July and is currently targeting a worldwide release in the second quarter of 2027.

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    Jackie Chan Chooses Kazakhstan for New Global Adventure Film

    China's martial artist, actor and filmmaker Jackie Chan is set to film “Armour of God IV: Ultimatum” in Kazakhstan, marking the action legend’s first-ever production in Central Asia.

    The new installment in the long-running franchise will be directed by Robert Kun and produced by Salem Entertainment, with principal photography scheduled to begin in July. The film is targeting a global release in the second quarter of 2027, The Caspian Post reports via Variety.

    Backed by the Alem Fund – an Astana International Financial Centre (AIFC)-registered initiative supporting international film projects tied to Kazakhstan – the movie is the first production from a slate of six upcoming titles.

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  • Pauline’s warpath after film ‘cancelled’ | Cancelled! Super Progressives bans a Super Progr…

    Pauline’s warpath after film ‘cancelled’ | Cancelled! Super Progressives bans a Super Progr…

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    Cancelled! Super Progressives bans a Super Progressive Movie

    Super progressives are handing free publicity to One Nation's rollout of A Super Progressive Movie by cancelling sold-out premiere screenings in Melbourne at the last minute. 

    One Nation leader Senator Pauline Hanson, who was given a standing ovation at last night's sold-out premiere screening of the film in Sydney, said she didn't accept excuses for cancelling premieres in Melbourne and Hobart – the former less than 48 hours before it's supposed to be screened – and suspected political foul play. 

    "This country has become so rigidly politically correct and so frightened of giving imaginary offence to imaginary people," Senator Hanson said. "They're calling this the most dangerous movie in Australia, when in truth it's a love letter to Australia. 

    Pauline Hanson and Holly Valance team up in unholy alliance

    In what can only be described as the unholiest of alliances, Pauline Hanson and Neighbours has-been, Holly Valance have teamed up for a musical moment that’s as flagrantly stupid as it is offensive.

    Their new political song and animated skit might be being pitched as satire, but scratch the surface and it could have just as easily been compiled by an attention-seeking, high school dropout. (And to be honest, that’s probably unfair to the majority of high school drop outs).

    Ultimately, it’s the same boring culture-war playbook designed to denigrate trans people in the most basic way possible; sneer at pronouns and frame inclusion as some kind of existential threat to “real women”.

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  • Film Review | Loaded and Lyrical Bar Talk | Chasing The Gold: Interview: ‘Blue Moon’: Ethan H…

    Film Review | Loaded and Lyrical Bar Talk | Chasing The Gold: Interview: ‘Blue Moon’: Ethan H…

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    Film Review | Loaded and Lyrical Bar Talk

    Ethan Hawke Turns in Stunning Performance as Lyricist Lorenz Hart in ‘Blue Moon,’ Talks It Up at the Riviera Theatre

    My already high esteem for Ethan Hawke bumped up a few notches after catching his moving portrayal of tragic jazz legend Chet Baker, in the vastly underrated 2015 Canadian film Born to be Blue. Hawke’s latest triumph finds him deep in the shoes and addled brain of another legendary musician lyricist, Lorenz Hart, in another “blue” film, Blue Moon. Hawke nails both characterizations, with empathy and savvy to suit.

    Hart and Baker are both American musical icons with sad life stories and diverse personalities — Baker, the laconic matinee idol felled by drugs and Hart, the acerbically witty partner of Richard Rogers, literally felled by drink. In Blue Moon, we join Hart’s saga at its dismal endpoint, with our protagonist staggering drunkenly in an alley way off of Broadway, in the rain, meeting his untimely finale at age 48. 

    Chasing The Gold: Interview: ‘Blue Moon’: Ethan Hawke on the inventiveness of Richard Linklater

    Ethan Hawke says his journey with filmmaker Richard Linklater has led to the “role of a lifetime” playing Lorenz Hart in Blue Moon. The two have been collaborating for years. Audiences got to watch Jesse (Hawke) and Celine (Julie Delpy) fall in love and then realize the reality of staying with a “soul mate” in the Before Trilogy. Hawke reprised his role as Jesse in the mixed media animation, Waking Life. He spent twelve years filming Boyhood. Hawke is in two of Linklater’s lesser-known works: The Newton Boys and Tape. 

    Nadine Whitney: You’ve spent a lot of time with Richard. He’s a genre chameleon in a similar manner to you and your choice of roles. Are you ever surprised by his ideas? 

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    Revisiting Lorenz Hart – The Poet of Broadway

    Before Rodgers and Hammerstein there was Rodgers and Hart yet most people know very little of Lorenz Hart even though they would have listened to many of his songs in every decade since the 1920s. His repertoire has been widely performed and recorded by generations of stars from Judy Garland and Frank Sinatra to Tony Bennett and Lady Gaga and many singers of renown.

    Richard Linklater’s newly released biopic Blue Moon has generated a renewed interest and introspection into his life and work. Linklater refers to the film “as a little howl into the night of an artist being left behind.” The film centres on the opening night of Rodgers and Hammerstein’s Oklahoma.

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