The Boys’ Penultimate Episode Features Strong Character Work and a Hilarious Musical Number | ‘…

Explore the latest developments concerning The Boys' Penultimate.

‘The Boys’ Creator: Why That Tragic Major Character Death “Had to Happen”

Eric Kripke breaks down that major show exit in episode seven of the final season.

[This story contains a major spoiler for the ending of The Boys season five, episode six, “Through the Heavens Fall”; and major spoilers from episode seven, “The Frenchman, the Female, and the Man They Call Mother’s Milk.”]

At the end of the seventh episode of the fifth and final season of Prime Video’s action-comedy hit, Frenchie (Tomer Capone) sacrificed himself to protect his love, Kimiko Miyashiro (Karen Fukuhara) from the wrath of Homelander (Antony Starr). But Homelander zeroed in on Frenchie instead, who opened a hatch exposing himself to a fatal dose of radiation, and told the evil supe — “I bet you never danced a day in your life.”

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Mon ami! Frenchie says goodbye as ‘The Boys’ comes to a close

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This article contains spoilers for the penultimate episode of “The Boys.”

There’s just one episode to go in the fifth and final season of Prime Video’s irreverent superhero satire, “The Boys.” The topical, darkly funny, whip-smart series from Eric Kripke follows a band of vigilante misfits who fight to expose the all-powerful, corrupt conglomerate Vought International and its stable of villainous superheroes.

Among the ragtag crew of antiheroes is Frenchie, played by Tomer Capone. Frenchie is the de facto chemist and inventor of the group, a former assassin for hire whose drug-addled brain is constantly concocting news ways to kill immortal Supes (superheroes). Yet he’s deeply connected with the feral Kimiko (Karen Fukuhara), who was nonverbal when he helped save her from human traffickers who sought to cash in on her Supe strength. Their bond — both are outsiders who suffered abuse as children — is one of the few emotional soft spots in the otherwise fast-moving series about America’s rotten power structure, manipulative media and the gullibility of the public.

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