How Aristotle helps us unpack the art of deception in Nathan Fielder’s You Can See Everything |…

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How Aristotle helps us unpack the art of deception in Nathan Fielder’s You Can See Everything

Canadian comedian Nathan Fielder’s runaway-hit documentary You Can See Everything reintroduces audiences to Silicon Valley founder Elizabeth Holmes, who was convicted of fraud in 2022. Holmes maintains she is innocent.

Through Fielder’s lens, the film prompts us to question her conduct anew
by exploring the meaning of acting, drama, truth, lies and fiction.

In the film, Holmes objects to a quote of hers reported by the New York Times. According to the Times, Holmes said of actors portraying her: “They’re not playing me. They’re playing a character I created.”

In Fielder’s documentary, Holmes’s husband reads the quote and says it doesn’t sound like something she would say. He suggests Holmes said instead: “They’re playing a character they created,” and she agrees.

No matter what you think about Elizabeth Holmes, go see this film

The documentary that follows the Theranos founder and convicted fraudster has finally arrived in Australia. It will exceed your expectations.

You Can See Everything, the new documentary following Theranos co-founder and convicted fraudster Elizabeth Holmes, is a delicious final deception in a wonderful year of cinema.

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Real to real • Philippa Hawker

Documentary as performance, performance as documentary: Nathan Fielder’s feature takes us on a wild ride

What are we actually seeing? Elizabeth Holmes in You Can See Everything.

Elizabeth Holmes has an unblinking, wide-eyed gaze and an air of unnerving serenity. She smiles as she speaks; her voice is slow and careful, almost sleepy. She can be very sure of herself, but her eyes often fill with tears. This is how she appears — often in extreme close-up — in You Can See Everything, a documentary that subjects her, and itself, to often uncomfortable, frequently entertaining scrutiny.

Back in 2014, Holmes cut a very different figure. She was a celebrity entrepreneur on the cover of Forbes and the New York Times style section, spruiking an invention set to revolutionise medical technology. Her company, Theranos, had a board packed with the rich, famous and well-connected; she was a youthful, carefully styled billionaire. A year later it all started to unravel, with claims that her supposedly revolutionary device was a failure and a sham. The business went into freefall, and she was charged with fraud. She was sentenced to prison in 2022.

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