Tag: review

  • Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror | The Box-Offi…

    Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror | The Box-Offi…

    Explore the latest developments concerning Iron Lung review.

    Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror

    Online gaming legend Mark Fischbach writes, directs and stars in this feature about a convict on a vague intergalactic mission – but his barebones production has nothing to show

    William Goldman’s old showbiz maxim continues to apply that nobody knows anything. Independently financed horror movie Iron Lung has been smuggled into multiplexes without the usual promotional hoopla, where it was keenly awaited by the massed followers of its Hawaiian writer-director-star Mark Fischbach, better known as YouTube gaming legend Markiplier. Many of us have long sensed culture is making a decisive break with the analogue in favour of the (perhaps terminally) online and Fischbach’s film makes that paradigm shift not just visible but visceral; it feels not unlike spending 12 hours on Twitch with all the curtains closed.

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    The Box-Office Story of the Weekend Isn’t Melania. It’s Something Much Weirder.

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    This past weekend saw one of the oddest box-office victories in recent times. No, I’m not talking about Melania, the first lady–produced documentary that Amazon reportedly spent $40 million on for the rights alone, with an additional $35 million for the marketing. I’m talking about Iron Lung, a self-financed film by a beloved YouTuber named Mark Fischbach, who goes by the handle Markiplier, and who has more than 38 million followers to his name. The movie, an adaptation of an indie horror video game, had a budget of approximately $3 million—an amount that Iron Lung has already earned back seven times over, with a box office of $21.7 million worldwide. Markiplier’s secret to getting his passion project into an impressive 3,000 theaters? According to an interview with Matt Belloni’s podcast The Town, he tapped into his network of fans, many of whom apparently work at movie theaters, and who vouched for the film to their managers. This is one of the rosier byproducts of his years cultivating a relationship with followers through videos that are usually—though not always—about gaming.

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  • Wonder Man review – a Marvel TV show with almost no superhero action … and it’s all the bet…

    Wonder Man review – a Marvel TV show with almost no superhero action … and it’s all the bet…

    Explore the latest developments concerning Wonder Man review.

    Wonder Man review – a Marvel TV show with almost no superhero action … and it’s all the better for it

    This gem of a series, about an actor with superpowers, is a clever, tender take on male friendship and the film industry. It’s a triumph of storytelling – and a masterclass in acting

    We are back in the Marvel Cinematic Universe. If you feel fatigue stealing over you already, banish it! It’s going to be OK. Even though Wonder Man is (by my incredulous reckoning) about the 30th MCU series produced by Marvel Television and companions – from the dizzying heights of WandaVision to … well, She-Hulk – it is a little gem.

    And it is quite little, in MCU terms. Not only are the eight episodes only around half an hour long but they also eschew spectacle in favour of storytelling. It’s a radical idea, but you never know, it might catch on.

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    The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

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  • Wonder Man review – a Marvel TV show with almost no superhero action … and it’s all the bet…

    Wonder Man review – a Marvel TV show with almost no superhero action … and it’s all the bet…

    Explore the latest developments concerning Wonder Man review.

    Wonder Man review – a Marvel TV show with almost no superhero action … and it’s all the better for it

    This gem of a series, about an actor with superpowers, is a clever, tender take on male friendship and the film industry. It’s a triumph of storytelling – and a masterclass in acting

    We are back in the Marvel Cinematic Universe. If you feel fatigue stealing over you already, banish it! It’s going to be OK. Even though Wonder Man is (by my incredulous reckoning) about the 30th MCU series produced by Marvel Television and companions – from the dizzying heights of WandaVision to … well, She-Hulk – it is a little gem.

    And it is quite little, in MCU terms. Not only are the eight episodes only around half an hour long but they also eschew spectacle in favour of storytelling. It’s a radical idea, but you never know, it might catch on.

    Wonder Man review: Marvel's meta new series is 'one of the best MCU shows to date'

    Created by Shang-Chi and Spider-Man: Brand New Day director Destin Daniel Cretton and Andrew Guest (the latter of whom serves as showrunner for the season), Wonder Man is the second show to be released under the more character-driven Marvel Spotlight banner. That’s notable given just how different this latest MCU entry feels: there are no traditional heroes and villains here, and the superpowered action sequences are limited. Instead, we’re treated to a show which is less a superhero moviemaking satire — à la The Franchise — and more a meditation on acting as a profession, told through an unlikely but beautiful bromance between Simon Williams (Yahya Abdul-Mateen II) and Trevor Slattery (Sir Ben Kingsley). It’s a winning approach.

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    The dynamic landscape of current events often brings forth significant discussions. Monitoring these developments provides crucial insights.

    For more detailed information, explore updates concerning Wonder Man review.

    For more news…

  • Fallout Season 2, Episode 5 Review | Walton Goggins on Ghoul guilt, pole peril in ‘Fallout’ Episo…

    Fallout Season 2, Episode 5 Review | Walton Goggins on Ghoul guilt, pole peril in ‘Fallout’ Episo…

    Explore the latest developments concerning Fallout Season 2,.

    Walton Goggins on Ghoul guilt, pole peril in 'Fallout' Episode 5

    This story reveals the ending of "Fallout" Episode 5, now streaming on Prime Video. Don't read further if you haven't watched.

    The budding "Fallout" Season 2 buddy story between the perma-jaded The Ghoul (Walton Goggins) and idealistic vault-dweller Lucy MacLean (Ella Purnell) took an abruptly dark — and pointed — turn in Episode 5 of the Prime Video series (now streaming).

    The episode ends with a shocking mid-season cliffhanger… or should we say polehanger?

    Tranquilized Lucy shockingly rises up from a seedy hotel room floor, flips on her power fist device, and deals a blow to her newly revealed betrayer, the unsuspecting Ghoul.

    The Ghoul flies wildly out of the hotel window and ends up gruesomely impaled on a pole that's part of a bus stop below. The look on his face is pure realism that this could be the end. But really? The Ghoul from "Fallout" getting poled to death mid-Season 2?

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    Walton Goggins and Justin Theroux light a fire under Fallout's ass

    Fallout has never been a show that’s especially interested in plot. Yes, it doled out a few mysteries over the course of its first run, some even extending to season length (especially the question of who Lee Moldaver was and what she wanted with whatever was kicking around in Michael Emerson’s increasingly grody severed head). But the nuts-and-bolts story of the series has mostly forgone elaborate puzzle box shenanigans in favor of hewing pretty closely to a classic hero’s journey, the better to let the show spend the bulk of its energy on building out the world of the Wasteland, navigating its ongoing tightrope between bitter drama and black-as-pitch comedy, and fleshing out the souls of its leading characters. Scrape away the excess, and the story was simple: The bombs dropped, war doesn’t change, and people stay people even after everything has “ended.” ‘Nuff said.

    For more detailed information, explore updates concerning Fallout Season 2,.

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  • Fallout Season 2, Episode 5 Review | Walton Goggins on Ghoul guilt, pole peril in ‘Fallout’ Episo…

    Fallout Season 2, Episode 5 Review | Walton Goggins on Ghoul guilt, pole peril in ‘Fallout’ Episo…

    Explore the latest developments concerning Fallout Season 2,.

    Walton Goggins on Ghoul guilt, pole peril in 'Fallout' Episode 5

    This story reveals the ending of "Fallout" Episode 5, now streaming on Prime Video. Don't read further if you haven't watched.

    The budding "Fallout" Season 2 buddy story between the perma-jaded The Ghoul (Walton Goggins) and idealistic vault-dweller Lucy MacLean (Ella Purnell) took an abruptly dark — and pointed — turn in Episode 5 of the Prime Video series (now streaming).

    The episode ends with a shocking mid-season cliffhanger… or should we say polehanger?

    Tranquilized Lucy shockingly rises up from a seedy hotel room floor, flips on her power fist device, and deals a blow to her newly revealed betrayer, the unsuspecting Ghoul.

    The Ghoul flies wildly out of the hotel window and ends up gruesomely impaled on a pole that's part of a bus stop below. The look on his face is pure realism that this could be the end. But really? The Ghoul from "Fallout" getting poled to death mid-Season 2?

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    Walton Goggins and Justin Theroux light a fire under Fallout's ass

    Fallout has never been a show that’s especially interested in plot. Yes, it doled out a few mysteries over the course of its first run, some even extending to season length (especially the question of who Lee Moldaver was and what she wanted with whatever was kicking around in Michael Emerson’s increasingly grody severed head). But the nuts-and-bolts story of the series has mostly forgone elaborate puzzle box shenanigans in favor of hewing pretty closely to a classic hero’s journey, the better to let the show spend the bulk of its energy on building out the world of the Wasteland, navigating its ongoing tightrope between bitter drama and black-as-pitch comedy, and fleshing out the souls of its leading characters. Scrape away the excess, and the story was simple: The bombs dropped, war doesn’t change, and people stay people even after everything has “ended.” ‘Nuff said.

    For more detailed information, explore updates concerning Fallout Season 2,.

    For more news…

  • 28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zom…

    28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zom…

    Explore the latest developments concerning 28 Years Later:.

    28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zombie horror

    A murderous Clockwork-Orangey gang take on the zombies in this gruesome and energised fourquel. It’s the finest of the 28 franchise by a blood-curdling mile

    It’s very rare for a fourquel to be the best film in a franchise, but that’s how things stand with the chequered 28 Days Later series. In this one, which follows immediately on from the previous episode, 28 Years Later, Ralph Fiennes and Jack O’Connell bring pure death-metal craziness. There is real energy and drama in this latest iteration of the post-apocalyptic zombie horror-thriller saga, created by director Danny Boyle and screenwriter Alex Garland back in 2003, with Nia DaCosta taking over directing duties for this film. Fiennes’s dance to Iron Maiden’s The Number of the Beast is basically one of the most extraordinary moments of his career. At the screening I attended, we were on our feet, looking for a speaker bin to headbang into. The band surely has to rerelease this track with Fiennes’s performance as a new official video. His Voldemort was never so freaky.

    ‘28 Years Later: The Bone Temple’ To Scare Off Na’vi From No. 1 With $20M+ MLK Opening – Box Office Preview

    UPDATED, 11 AM: So Sony’s 28 Years Later: The Bone Temple is still looking at a $20M+ 4-day opening at 3,400 sites in North America, finally unseating 20th Century Studios’ Avatar: Fire and Ash from No. 1 in its 5th frame. That movie is looking like $18M-$19M over the MLK holiday weekend.

    Previews for Bone Temple start at 2 p.m. Thursday in 2,900 sites. Avatar 3 still has the Imax theaters and majority of PLFs, while the Infected (don’t call them zombies) have some PLF screens.

    The best heat in first choice for Bone Temple is from guys over 25. The movie’s temperature on tracking in first choice is about as hot as New Line’s Evil Dead Rise ($24.5M in 2023) and Focus Features’ Nosferatu ($21.6M 3-day in 2024) and way hotter than Paramount’s Primate ($11.1M opening last week). 28 Years Later benefited from previews on Juneteenth, which propelled the Danny Boyle horror threequel to a $30M opening last summer — one of the best for horror in 2025 — and a domestic of $70.4M, global of $151.3M. Production cost of Bone Temple was $63M net, while 28 Years Later was $60M net before global P&A spend.

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    The Alpha Zombie Returns: Chi Lewis-Parry on Adding Depth to Samson in ‘28 Years Later: The Bone Temple’ and Why Dancing With Ralph Fiennes Was ‘The Most Fun I’ve Had Naked’

    There’s a scene in “28 Years Later: The Bone Temple,” Nia DaCosta’s quick-fire sequel to last year’s horror franchise returnee “28 Years Later,” that’ll likely raise more than a few laughs in cinemas.

    On top of an English hill, surrounded by woods — and potential danger — Ralph Fiennes‘ blood-and-iodine-smeared skull collector Dr. Ian Kelson sings Duran Duran’s sun-drenched ’80s smash “Rio” while dancing hand-in-hand with Samson, the film’s hulking, mutated and entirely nude lead Alpha zombie.

    It’s a peculiar, not to mention hilarious sight, not least for a gory genre film. But for anyone who saw Sony Pictures’ “28 Years Later,” the scene marks a remarkable development for Samson — played by 6’8″ actor and former MMA fighter Chi Lewis-Parry — best remembered as “King of the Infected” in the first outing and a ferocious monster with a penchant for ripping heads off with spines still attached (and then swinging them about like a flail). DaCosta’s movie — in cinemas Jan. 16 — is a wholly different beast to Danny Boyle’s, with wildly new characters and storylines, but it’s the personal growth of Samson — and his budding bromance with Dr. Kelson — that offers one of its main talking points.

    For more detailed information, explore updates concerning 28 Years Later:.

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  • His & Hers review – this glossy thriller is ideal new year TV | Netflix’s ‘His & Hers’ Adaptati…

    His & Hers review – this glossy thriller is ideal new year TV | Netflix’s ‘His & Hers’ Adaptati…

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    His & Hers review – this glossy thriller is ideal new year TV

    This six-part adaptation of the bestselling 2020 novel about a murder investigation is twisty, absurd and bingeable. It’s great January viewing

    A woman lies bloodied and twitching her last on the bonnet of a car parked deep in a wood. Another woman arrives home bloodied, gasping with fear and for wine, and starts scrubbing her hands before clearing her flat of – well, everything.

    A female voiceover intones that there are two sides to every story. “Which means someone is always lying.” Absolute nonsense, obviously, but it sounds great and more importantly it confirms what we were hoping: that we are in the presence of a glossy, efficient adaptation of a bestselling thriller and it is time to switch off our brains and enjoy (unless you are the type who likes to try to solve the mystery before the characters do, in which case, Godspeed and let me know where you get the energy from).

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    In just two days, this crime mini-series becomes number 1 on Netflix and is already described as a masterpiece

    A murder in Dahlonega drags journalist Anna back to the past she meant to outrun, and viewers can’t look away. His & Hers, a six-episode psychological thriller adapted from Alice Feeney, toggles between Anna and Detective Jack Harper’s accounts as the truth keeps slipping out of reach. With Tessa Thompson and Jon Bernthal trading taut performances, the series turns every memory into evidence and every confession into a question. Its swift ascent has critics and fans parsing each clue for what’s real and what’s just perception.

    Within just two days, His & Hers climbed to the top of Netflix’s global charts, swiftly turning into a household sensation. The mini-series is tightly built across six episodes and has already drawn accolades as a modern standout. Viewers and critics praise its skillful blend of psychological nuance with gripping, propulsive storytelling. What keeps everyone so fully hooked?

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  • Heated Rivalry review – these physically perfect people have so much sex it’s tedious | ‘He…

    Heated Rivalry review – these physically perfect people have so much sex it’s tedious | ‘He…

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    Heated Rivalry review – these physically perfect people have so much sex it’s tedious

    This steamy queer romance between ice hockey rivals is packed with constant shots of muscular bottoms in fancy hotel rooms. But a bit more character development or emotional investment wouldn’t go amiss

    I suspect that Chala Hunter is still on a recuperative retreat somewhere. Until about May, I would think. For she was the intimacy coordinator on Heated Rivalry and she has earned a break.

    For those not aware: intimacy coordinators gained prominence in the aftermath of the #MeToo movement, when assorted testimonies from actors (largely female) made public and unignorable the shocking fact that actors (largely male) and directors (largely male) will often (largely always) try to get away with more than has been contracted for once they are naked with A N Other person. An intimacy coordinator is there to help arrange scenes and advocate for actors. Think of them as somewhere between a bureaucrat and a contraceptive.

    ‘Heated Rivalry’ shows how queer joy can disrupt hockey’s culture of masculinity

    JJ Wright receives funding from the Social Sciences and Humanities Council of Canada and Public Safety Canada.

    MacEwan University provides funding as a member of The Conversation CA.

    MacEwan University provides funding as a member of The Conversation CA-FR.

    The reason people are so captivated by Heated Rivalry, the new Crave romance adapted from Rachel Reid’s popular novel, isn’t just because the storyline is unprecedented, but because the two main characters find queer joy in impossible circumstances. In doing so, the series creates new possibilities for imagining relationships, masculinity and society.

    The show centres on a romance between two professional hockey players, Ilya Rozanov (Connor Storrie) and Shane Hollander (Hudson Williams), who are rivals in a fictitious professional hockey league.

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    The Delicious Anticipation–and, Yes, Release—of “Heated Rivalry”

    In one of the pivotal moments in “Maurice,” E. M. Forster’s early-twentieth-century novel of homosexual love, the book’s titular protagonist—an upper-class young stockbroker battling secret gay desires—arrives at the British Museum to confront Alec Scudder, a working-class gamekeeper with whom he’s had sex. Fearing blackmail and attempting to deny his true leanings, Maurice has been fending off Alec’s advances since their encounter, and now, offended at being rebuffed, Alec has been threatening to publicly expose him. As the two wander around the museum—one pressuring, the other deflecting—the novel portrays their professed enmity as underscored by the force of attraction, even of love. “They would peer at a goddess or vase, and then move at a single impulse, and their unison was the stranger because on the surface they were at war,” Forster writes. “Alec recommenced his hints—horrible, reptilian—but somehow they did not pollute the intervening silences, and Maurice failed to get afraid or angry . . . . When he chose to reply their eyes met, and his smile was sometimes reflected on the lips of his foe. The belief grew that the actual situation was a blind—a practical joke, almost—and concealed something real, that either desired.”

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  • Labyrinth review – Jim Henson and David Bowie make beguiling magic in charmingly eccentric 80s …

    Labyrinth review – Jim Henson and David Bowie make beguiling magic in charmingly eccentric 80s …

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    Labyrinth review – Jim Henson and David Bowie make beguiling magic in charmingly eccentric 80s classic

    Jennifer Connelly plays a teenager having whimsical Alice in Wonderland-ish adventures in this 1986 family fantasy

    Revived for its 40th anniversary, this is one of the most beguilingly eccentric and charming family movies imaginable. Jim Henson’s fantasy adventure mixes human actors, unmistakably Hensonian puppet creatures, and one authentic legend who goes beyond either category: David Bowie as Jareth, the spikily coiffured king of the goblins, towering over the diminutive figures the way he might if he’d been a guest on The Muppet Show. He carries off this wacky role with absolute commitment and good humour.

    Labyrinth also features cherubic teen Jennifer Connelly as Sarah, a girl who is infuriated at being made to look after her baby half-brother Toby when her dad and stepmom are out for the evening. In a fit of loneliness and pique, influenced by a fairytale she has been reading called The Labyrinth, and perhaps unable to process the psychological reasons for her resentment of baby Toby, Sarah makes a spiteful wish that goblins take the infant away. This they do, and Sarah is faced with a daunting quest: she must somehow get through the labyrinth that surrounds Jareth’s castle and wrest the poor child from his awful grasp.

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    When Jim Henson’s ‘Labyrinth’ was snubbed by the Oscars

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    Forty years ago, Muppets creator Jim Henson released his final feature film, Labyrinth, a dark children’s fantasy about a teenage girl, Sarah Williams (Jennifer Connelly in her screen debut), who had to save her infant brother, Toby (Toby Froud), from the Goblin King, Jareth, played by rock legend David Bowie.

    Labyrinth wasn’t successful during its initial run in 1986 — a youth-skewing throwback adventure film populated by puppets failed to resonate with audiences in the age of Schwarzenegger and Stallone — but it has become such a beloved cult classic that it’s back in theaters this week to celebrate its 40th anniversary. While it’s heartening to see the film get its flowers now, it's easy to forget that Labyrinth was the victim of one of the more egregious snubs in Oscar history.

    For more detailed information, explore updates concerning Labyrinth review –.

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  • The Raja Saab Review | Prabhas, Sanjay Dutt, to Nidhhi Agerwal: ‘The Raja Saab’ cast salaries and…

    The Raja Saab Review | Prabhas, Sanjay Dutt, to Nidhhi Agerwal: ‘The Raja Saab’ cast salaries and…

    Explore the latest developments concerning The Raja Saab.

    The Raja Saab Review

    Cast – Prabhas, Sanjay Dutt, Boman Irani, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Zarina Wahab, P. Samuthirakani, VTV Ganesh, Satya, Prabhas Sreenu, Saptagiri & others

    Post the gigantic success of the Baahubali series, Prabhas became a synonym for big-budget, extravagant movies. Irrespective of the final result, all of his films over the last ten years have been made to give the audience a big, big-screen spectacle. After giving two back-to-back blockbusters with ‘Salaar’ and ‘Kalki 2898 AD’, he teamed up with the director, Maruthi, for ‘The Raja Saab’, a romantic horror comedy turned into a romantic horror fantasy film.

    Maruthi created a sensation in 2013 with a horror comedy film titled ‘Prema Katha Chitram’. Although he did not direct ‘Prema Katha Chitram’, he stole the show with his writing and his trademark comedy. When a film was announced in the combination of Prabhas and Maruthi, most people thought it was a wrong decision by Prabhas but a certain section of people believed that Maruthi would come up with a good entertaining film. After being in writing and production for around three years, the film was finally released in theatres today. Did Prabhas complete a hat-trick, after two hugely successful films, ‘Salaar’ and ‘Kalki 2898 AD’? Did Maruthi come up with an entertaining film and prove his naysayers wrong? How did Thaman score music for the first time for Prabhas? Did the three actresses, Malavika Mohanan, Nidhhi Agerwal & Riddhi Kumar, get substantial roles in the film? Let’s figure it out with a detailed analysis.

    Prabhas, Sanjay Dutt, to Nidhhi Agerwal: 'The Raja Saab' cast salaries and budget revealed, deets inside

    The TOI Entertainment Desk is a dynamic and dedicated team of journalists, working tirelessly to bring the pulse of the entertainment world straight to the readers of The Times of India. No red carpet goes unrolled, no stage goes dark – our team spans the globe, bringing you the latest scoops and insider insights from Bollywood to Hollywood, and every entertainment hotspot in between. We don't just report; we tell tales of stardom and stories untold. Whether it's the rise of a new sensation or the seasoned journey of an industry veteran, the TOI Entertainment Desk is your front-row seat to the fascinating narratives that shape the entertainment landscape. Beyond the breaking news, we present a celebration of culture. We explore the intersections of entertainment with society, politics, and everyday life.Read More

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    EXCLUSIVE: The RajaSaab bookings yet to begin in national chains as Dhurandhar 2 vs Toxic show-sharing talks hit a deadlock

    The Prabhas-starrer The RajaSaab is all set to release tomorrow, January 9. Yet, the bookings are yet to fully open across the Hindi belt, especially in the national chains. Bollywood Hungama spoke to trade sources to understand why this has happened and why the issue has not been resolved, though less than 12 hours are left for January 9.

    A trade source told Bollywood Hungama, “As of now, only the single-screen cinemas and independent and smaller chains have begun the bookings of The RajaSaab. The national chains and also Miraj and Maxus cinemas are yet to commence bookings for tomorrow, not just for the Prabhas-starrer but also for other films. This is because the negotiations are going on. The distributors of The RajaSaab, AA Films, are asking the national chains to give considerable shows to Toxic, starring Yash. Only then will these cinemas get to play The RajaSaab.”

    For more detailed information, explore updates concerning The Raja Saab.

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